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Low - Factory Theatre, Sydney (22 October 2010)
- 1 Intro 0:29 Add To Playlist
- 2 In Silence 3:12 Add To Playlist
- 3 Silver Rider 5:44 Add To Playlist
- 4 Always Fade 4:26 Add To Playlist
- 5 Shame 4:52 Add To Playlist
- 6 Monkey 5:08 Add To Playlist
- 7 Just Stand Back 3:15 Add To Playlist
- 8 Little Argument with Myself 3:38 Add To Playlist
- 9 Sunflower 4:18 Add To Playlist
- 10 Canada 4:32 Add To Playlist
- 11 Murderer 3:27 Add To Playlist
- 12 When I go Deaf 5:21 Add To Playlist
- 13 Encore intro/Shout Outs 2:57 Add To Playlist
- 14 $20 4:45 Add To Playlist
- 15 Last Snowstorm Of The Year 2:27 Add To Playlist
- 16 Intro to Dinosaur Act 1:38 Add To Playlist
- 17 Dinosaur Act 4:08 Add To Playlist
- 18 Monologue 1 2:22 Add To Playlist
- 19 The Gambler Cover 1:16 Add To Playlist
- 20 California 3:24 Add To Playlist
- 21 Breaker 2:47 Add To Playlist
Low is an American indie rock group from Duluth, Minnesota, formed in 1993. As of 2010, the group is composed of Alan Sparhawk (guitar and vocals) and Mimi Parker (drums and vocals), both founding members, and Steve Garrington (bass guitar).
Their music is commonly described as "slowcore," a rock subgenre characterised by slow tempos and minimalist arrangements. Though Low's members disapprove of the term slowcore, the band is among the earliest to adopt and popularize the style, making them considerable contributors to the slowcore movement.
Parker and Sparhawk's striking vocal harmonies represent perhaps the group's most distinctive element; critic Denise Sullivan writes that their shared vocals are "as chilling as anything Gram and Emmylou ever conspired on -- though that's not to say it's country-tinged, just straight from the heart.
Their music is commonly described as "slowcore," a rock subgenre characterised by slow tempos and minimalist arrangements. Though Low's members disapprove of the term slowcore, the band is among the earliest to adopt and popularize the style, making them considerable contributors to the slowcore movement.
Parker and Sparhawk's striking vocal harmonies represent perhaps the group's most distinctive element; critic Denise Sullivan writes that their shared vocals are "as chilling as anything Gram and Emmylou ever conspired on -- though that's not to say it's country-tinged, just straight from the heart.
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